Songs, &c. in the Strangers at Home: a Comic Opera, in Three Acts. As It is Now Performing, with Universal Applause, at the Theatre-royal, in Drury-la

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++National Library of ScotlandT155668Horizontal chain lines. London: printed for Harrison and Co., 1786. 18p.; 8 Contributor Bio:  Cobb, James James A. Cobb, Jr., has practiced law since 1978 and was a managing partner in the firm Emmett, Cobb, Waits, & Henning. Cobb has also served as an adjunct professor at Tulane University Law School since the 1980s and has taught at Harvard since 2008. He lives and practices privately in New Orleans.